New York and LA Macca Fans Can Hear New Early

Beatle Brunch has learned that Paul McCartney is offering fans on both coasts a unique and memorable opportunity to preview his upcoming album, New, in its entirety more than a week prior to it’s release — in your car. This Sunday, October 6th, New — McCartney’s first new mainstream album in five years — will get a special early unveiling in its entirety at two free events being hosted in
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day evening, October 6th, 2013 — and fans will get the first listen.
 

McCartney told us why he’s doing this:  “I love listening to music in the car. . . It’s like listening with a huge pair of headphones! You’re in there and the sound is wrapped around you. . . it’s great.”

Here’s where to hear NEW: – Sunday, October 6th – City of Industry, California:

Location: Vineland Drive-In 443 N. Vineland Ave, City of Industry, CA.

Time: 7:30 p.m. (parking lot opens at 6 p.m.).

Notes: The first 400 cars to arrive to the Vineland Drive-In will be admitted to hear the album for the first time, via the theater’s FM transmitter. A free commemorative event posters will be given to each attendee.

New York Event: – Sunday, October 6th – New York, City, New York:

Location: Open Road VW/Audi Dealership 802 11th Ave (at 55th).

Times: 7:00 p.m. to 8:00 p.m. – first listening session (doors open at 6:00 p.m.); 8:00 p.m. to 9:00 p.m. – second listening session.

Notes: The first 100 people to arrive (for each session) will be admitted to listen to Paul’s New album for the first time in brand new vehicles parked on the rooftop.

IN OTHER McCARTNEY NEWS

Paul has banned the use of meat, social media, and prescription drugs from the set of his new video. The Sun reported that in typical tongue-in-cheek fashion, McCartney handed down the proviso to the crew working on the video for his second single from New, called “Queenie Eye.” An insider explained that although meant lightheartedly, producers took the warning seriously: “It was meant as a joke but, still, you would be out on your ear if you ignored the memo (which said) ‘Anyone found on Twitter, Facebook or nibbling a ham sandwich would be rejected immediately. Drug consumption might be harder to prove, but still…'”

Vintage Vinyl News reported that the video is being shot at London’s Legendary Abbey Road Studios and features McCartney pal Johnny Depp and Sean Penn. Brad Pitt, who was slated to appear, apparently had to back out due to scheduling conflicts.

Paul McCartney says that although he’s been asked to describe his songwriting process, he admits that he’s afraid to delve too deeply into it: “Y’know, I think it spoils it for me to analyze it. It’s magic to me, this whole process is completely magic. And I really always feel like someone’s gonna catch me and stop me doing it for a living. (Adopts stern voice) ‘McCartney! You’re writing again!’ (Adopts young voice) ‘Sorry sir!’ There’s always that feeling that this is just too good to be true, so I don’t wanna tempt fate.”

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And now NEW news from Beatle Brunch:  While this Sunday we’ll be honoring John Lennon a few days before his birthday, tune in to hear Dhani Harrison’s take on one of HIS dad’s Beatle tunes, “For You Blue”. Listen in during the “Special Feature” section of this weekend’s Brunch!  This one really sounds like Dad, and features George’s old buddy, Jim Keltner on drums.

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Macca Rocks it “New” on Jimmy Kimmel Live

Closing down Hollywood Boulevard in Los Angeles is usually reserved for a guy in a Batman costume clobbering a guy in a Spider Man suit, but Monday night’s Jimmy Kimmel Live closed it for a Beatle in a “New” costume. Sir Paul McCartney played to several thousand fans and millions more on national television, when he joined Kimmel for his first appearance on the hit ABC show.

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Paul joined Jimmy for the open to throngs of screaming fans. As he and Jimmy looked down on the frantic crowd, Kimmel professed, “they really love me”.  The love, love, love carried over to the third segment of the show when Paul joined Jimmy at the desk to chat about his earliest job (riding 2nd man in a lorry), writing his first song with John (“I Saw Her Standing There”), and talking about how hard it was to get a date in the pre-Beatle days. Paul reminisced about Beatlemania in L.A. in 1964. Jimmy reminded him that they met Elvis that year, but stood corrected by Paul who told Kimmel, “you’re telling me that from research, I’m telling you from memory”. The correct year, of course, was 1965 in Bel Air. Paul proved his memory is not almost full, as he told another story about attending dance parties with George, hoping to dance with girls. He DID however, get the street dancing when he launched into 14 tunes,  two of which made it on the broadcast, “New” and “Lady Madonna”.

Check out the pics from last night’s performance.

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Here comes the setlist played live on Hollywood Boulevard:

“Save Us” (McCartney)
“Junior’s Farm” (Wings)
“Jet” (Wings)
“New” (McCartney)
“Lady Madonna” (Beatles)
“Birthday” (Beatles)
“Another Day” (McCartney)
“Everybody Out There” (McCartney)
“Ob-La-Di, Ob-La-Da” (Beatles)
“Band on the Run” (Wings)
“Back in the U.S.S.R.” (Beatles)
“Day Tripper” (Beatles)
“Let It Be” (Beatles)
“Hey Jude” (Beatles)

Paul is set to appear on a live session for BBC Radio 6 on October 16th as part of the “6 Music Live at Maida Vale” series. Paul’s “New” CD, “New” comes out October 15th.  Here’s the color artwork, just released and Paul playing “New” live in L.A.

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“New” Harrison Song from Son Dhani Channels Dad

While Sir Paul has a new song out called “New”, and his son James is playing and promoting HIS new album, George’s son, Dhani, has something “new” for us two (or the Two of Us), however, this new song has something old, something “new”, something  borrowed and something”Blue”.

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Dhani has just released a remake of his dad’s song from “Let it Be”, called “For You Blue”. It’s mesmerizing, and so reminiscent of The Beatles version.  Like Dad, who gave to charity throughout his years, beginning with The Concert for Bangladesh, Dhani is donating all of his proceeds to George Harrison’s Material World Foundation, which is currently focused on helping create awareness for the Christopher and Dana Reeve Foundation and its mission to cure spinal cord injury.

Dhani recorded the new version of “For You Blue” with fellow musicians Blake Mills, Aaron Embry, and drummer Jim Keltner, one of George’s best buddies. The song was originally recorded in 1969 and then released on The Beatles’ Let it Be album a year later.

You can hear the new song in the Beatle Brunch Club downloads, but why don’t you buy it? It’s only a buck-22 and it’s for a good cause.

Here are some reviews from fans who bought the song on i-tunes.

Customer Reviews
Unbelievable

by Rob T8

Ok, this sounds terrific but is also scary at the same time. Sounds exactly like George! What a fantastic tribute to his father.

Nice – thanks Dhani!!!

by Dougster

Great cover of “For You Blue” by Dhani Harrison. Fantastic production – vocals – great guitar work. “Beefs up” the Beatles/George’s arrangement from Let It Be. Would love to see/hear Dhani do a whole album of George’s lesser known material with this band. Please downlaod from iTunes as proceeds go to charity.

Amazing

by Ajscissor

Absolutely amazing. George would be proud.

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The Concours d’ “Excellence” shines on The Pacific Coast

A beautiful frame can enhance even the most perfect painting. So, imagine framing some of the world’s most exquisite creations of automotive excellence with the vistas of the Monterey Peninsula.  It happened last week, and the result was a more than perfect picturesque four days at Carmel by The Sea at The Pebble Beach Concours d’ Elegance car week, where classic motorcars and the elegant style of bodies of every shape and style, sat side by side along the vistas of The Pacific Coast.

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The Concours d’Elegance in Pebble Beach, CA is THE show of shows. 251 examples of the most impeccably-restored gems of automotive engineering from all over the globe and throughout history rested comfortably on the 18th fairway of one of the world’s most storied courses, seemingly taking up golf like every retired specimen of life dreams of.

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And while so many were so perfect, only one would be awarded “Best of Show”.  The honor went to Paul & Judy Andrews of White Settlement Texas, whose 1928 Mercedes-Benz 680S Saoutchik Cabriolet, pictured below, took top honors.

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But honoring restored machinary was just a sidebar. One of the most impeccably preserved examples of well-worn history has to be 102 year-young Margaret Dunning, who drove to Pebble Beach in her 1932 Packard, which she has owned since 1949 and maintains primarily by herself. Dunning received a special award from the Concours’ Judges who recognized her tenacity and attractive stubbornness, outlasting many men in the car appreciation world before her.

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These photographs paint more than colors and history, they bring us back to a time of innocence and adventure that we so long to return to.

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For fans of historic Shelby speedsters, the Retroauto section contained a rare collection of original Cobras, some gracing the signature of “Sir” Carroll Shelby himself. Among those proudly on display, included the one that was personally driven by Carroll in one of his first races.

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The Gooding and Co. Auction was another exciting component of the weekend in Pebble Beach.  Tonight Show host Jay Leno’s Fiat 500 Prima Edizione, initially valued at $25,000 to $35,000, sold for $385,000 and attracted an additional $215,000 raising a total of $600,000 for the Fisher House Foundation. Also in attendance were Steve Carrell, George Lucas, Adrien Brody and Adam Carolla.

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At the Concours d’Elegance, you never really “finish”, you only take a pit stop until the next gathering…

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Sunday August 18th, 2013 at Pebble Beach. Go to http://www.pebblebeachconcours.net.

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Photos and story by Joe Johnson, below.

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Macca at The Colbert Report – Being for the Benefit of Nikki – Thanks!

- Nikki Denett filed this report for Beatle Brunch, after she saw Sir Paul on The Colbert Report Wednesday afternoon: 

The experience began after a very long late morning/early afternoon wait on line outside the Colbert Studio. I found out the Colbert normally tapes much later but we were on Paul’s schedule (clearly) so the appearance was going to be taped earlier. No biggie. I can skip a Starbucks trip for Paul. Paul showed up around 12:30 and a little while after that, we were all checked in and ready to go, going through security and then being told to chill out in this Colbert-ified room right outside the studio.

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After we were told for the umpteenth time that we were forbidden to use our phones or cameras inside (ok, studio lady) and after another very long wait, we were finally allowed inside the studio, where I immediately locked eyes with the famous psychedelic piano in close proximity!  Ok, Now we knew we were in the right place. Funny thing, upon walking in the studio, we were asked if we would like ear plugs (they were actually serious). I thought, “Are you kidding?” and that was pretty much the last coherent thought I had before I actually realized just how small the studio was and how close we would be to Paul.  I kept asking “Is this a joke?” for a good ten minutes.

I really dig the Colbert atmosphere.  First we had a warm-up comedian whose main purpose was to get us all hyped (like we needed it?) and then after a rousing chant of “Stephen! Stephen!” our host made his grand entrance and we had a quick little question and answer session with him “out of character” (as they call it) and then it was onto the show. Stephen explained to us that the segments would be ordered differently on the broadcast but that for the taping he was going to do all the news stuff first, then have the chat with Paul and then have songs, songs, songs and hey, he had me at the first mention of “songs” so I was a happy (and very excited) camper.

After the news segment during the “commercial break”, Paul casually strolled out, unannounced on the set and after a rousing ovation in his honor, the real fun began.

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Paul and Stephen’s banter was the best. Some of the highlights were when Stephen makes fun of the way Paul says “schedule”, when he asked about when The Beatles decided to stop writing songs for other people and start writing for themselves and Paul simply answers “drugs” (lol). They discussed plenty of Wings stuff, and when Stephen asked Paul what’s one song he wished he’d written before his time, Paul responded with Fred Astaire’s “Cheek to Cheek” and then he and Stephen proceeded to sing that song together. Paul was singing “Heaven…I’m in Heaven…” and at that moment I I thought “Um, Paul I’M in heaven!”  (editor’s note: Steven also asked veggie Paul about claiming to like roast beef, as shown in the above Beatle card from the 60’s)

A few bits of the interview that didn’t make the air was when Stephen quizzed Paul on how much a gallon of milk was to see just how and Paul replied right away, “In English or American?”

The best bits though were in between the breaks that were supposed to be for commericals.  Paul bobbing his head to White Stripes and Passion Pit music, there was a brief moment when he was called away from the stage and the band and then returned a minute later and he dramatically announced to us “I’ve just been fired!” and he put this like mock-upset face on and we let him know “Awww Paul it’s okay”.
We were told that Paul would be doing six songs at first, but he ended up doing nine (five of which were broadcast and one which was held for a website “exclusive”). Apparently he decided what songs to play when he got there that morning.

PM piano

Paul’s Colbert Set List

Matchbox (not broadcast)

Let Me Roll It (not broadcast)

Listen to What the Man Said

Letting Go (not broadcast)

I’ve Just Seen A Face (He started the intro and then stopped halfway through, saying, “We’re going to try that again” and then we all droned and then he mentioned “hey, it’s my band! I can do that if I want!”)

Being for the Benefit of Mr Kite

Hi Hi Hi (Paul introduced this song, noting “This song is about getting high ON LIFE!

Lady Madonna

Birthday (web exclusive).   Paul dedicated this one to everyone who was having a birthday and apparently forgot to acknowledge his own.  Good thing he had me there to remind him !

Afterwards he thanked us for coming out to “this lunchtime session” and after a few more waves and kisses blown to us he made his graceful exit.

This topped even last year’s SNL appearance for the closest I’ve ever witnessed Paul perform his music. He was just THERE hanging out on the set mere feet in front of us and it was amazing to be able to just sit there and watch him. That sounds weird, but I loved that the Colbert crew was only a few guys and the studio was so small because it made it even more intimate and special, even though millions of people would probably be watching this.

It was an absolute dream and I feel extremely grateful/lucky/blessed/fortunate to once again be able to write a post like this. Every time Paul comes here I walk away loving him even more.  I’m amazed that’s still possible at this point.

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A Ray of Lighting Out There With Paul

How do you measure the success of a man who’s broken nearly every record that records could break (meaning the kind you play)? Paul McCartney’s success is measured in relationships. Relationships that he has nurtured for most of his life. From his 29 year marriage to Linda, to keeping up with his school mates and instructors at The Liverpool Institute of Performing Arts (LIPA) back in his hometown, where’s he’s quite the hero, to his current band, All Together Now for 11 years and counting. It’s a tried and true formula, that like his songwriting, is hard to describe. You just know when it’s right.

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Paul kicked off the U.S. leg of his “Out There” tour with two sold-out shows at The Amway Center in Orlando on May 18th & 19th. While the set list added nearly a dozen  “new” songs, the stage was set with the tried and true: Those four “other guys” whose act we’ve known for all these years, since 2002 that is, comprised of Rusty Anderson on lead guitar, Abe Laboriel Jr on drums, Paul “Wix” Wickens on keyboards, and on rhythm, lead, sitar and bass, Brian Ray, the newest member of the band, who made quite the splash, playing beside Paul worldwide at the pre-game ceremonies for Superbowl XXXVI in New Orleans, where McCartney debuted his post 9-11 single, “Freedom”, then it was off on Paul’s “Driving USA” Tour, which yielded the double-platinum CD release, “Back in the U.S”.

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On stage, Brian stands unassuming to Paul’s left, but is focused on his role in the band. “I’m on guitar unless Paul jumps to piano, then I’m on bass”, Ray told me on our last interview.  On stage you’ll hear him on lead and rhythm guitar as well as the sitar, these days (do I hear a “Norwegian Wood” vibe coming?).  Brian also happily plays the role of George, sharing the mic and bumping guitars with Paul during “All My Loving”.

Though mainly on guitar and bass, Brian started out on drums.  At the age of 7 or 8, he got his first drum kit and a few years later, formed a band with his boyhood friend, also named Brian. Brian2 “had a much better drum set”, he admitted, so Brian1 moved to electric guitar. The mold was set for what Ray would do in his adult life: play guitar and make music along-side some of the greats: Etta James, Santana, Keith Richards, Joe Cocker, Bonnie Raitt, Bo Diddley, Peter Frampton, you name it…ok, Paul McCartney.

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Brian describes A Day in the Life playing with Paul. “Besides being able to play the greatest music, in my opinion, of our generation, since rock and roll began in the mid 50’s, we also get to enjoy doing that with people who we admire, respect and enjoy, so we actually hang out together on days off, which I don’t think a lot of bands do.”

As if being Paul’s left-hand man on stage is not enough, in 1987 Brian co-wrote and arranged a hit song for Smokey Robinson, called “One Heartbeat” that enjoyed 2-million radio plays. But now, between Macca gigs, he and his band, The Bayonets (really just Ray and musical partner Oliver Leiber, plus whichever musical superstar they can lure into the studio or on stage), are playing to packed houses in their free time, doing original material, covers like Smokey songs, and Cinnamon Girl, the Neil Young song that Brian says was penned for his older sister Jean, of Jim & Jean fame.

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This summer, the smart money’s on “Smartphone”, Brian’s new single, that E-Street band member and one time shady-Soprano character, Little Steven Van Zant calls “the coolest song in the world”. So cool that Steven practically hijacked the airwaves with constant plays on his Underground Garage channel (21) on SiriusXM. “Smartphone” dials in the feel of classic, dangerous guitar riffs that Ray grew up on, a bond he shares with Little Steven, who has also produced CDs for the surf-sounding band, The Chesterfield Kings.

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So while Brian may get some of the dangerous riffs out of his system crushing guitar strings to Helter Skelter on stage with Sir Paul, it’s his lightning guitar that flashes his love for the greats like  Link Wray, Eddie Cochran, Chuck Berry, and let’s not forget, The Beatles.

Download Brian’s newsingle, “Smartphone” plus other cool stuff below, and look for the video to “Smartphone” any day now.

http://www.brianray.com/index.php/store

Hear Joe Johnson’s interview with Brian and the single, “Smartphone” on an upcoming Beatle Brunch program, and join The Beatle Brunch Club to hear the entire interview with Brian Ray, http://www.beatlebrunchclub.com, where you can also hear every week’s Beatle Brunch on-demand, and “Old Brown Shows”, Beatle Brunch programs from 20 years ago today and earlier.

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Here Comes the Son

 

rolling stone magazine 1985

That was the headline that draped the June 6, 1985 issue of Rolling Stone Magazine when they featured a cover article on John’s son Julian, who, back then, was breaking into the music business with rave reviews of his first album, “Valotte”, that featured haunting vocals reminiscent of his late father, who had only been gone for five years.

Julian's Photo Exhibit

 

Well, on a week that is traditionally sad for Lennon fans, a white feather has landed, inviting art lovers to celebrate Julian’s photography on display at Overture Contemporary Art Fair going on through Sunday December 9th in the Wynwood section of Miami, the newest, hippest, trendiest “must be seen at” artsy-fartsy section of Miami.

Joe J interviews Julian Lennon

Joe J interviews Julian Lennon

 

Julian is in town for a photograph and a smile, a dozen or so actually, hung on the wall of the temporary gallery at Overture. Julian will chat, smile, sign and be more than happy to sell you a framed photograph or a numbered print.  Beatle Brunch Host Joe Johnson spent some time with Julian on Tuesday to talk about his photographs, his new (upcoming) CD “Everything Changes”, his dad and his favorite charity, and how they’re related.  Julian told Joe that one of the reasons he loves photography so much is because it’s one area where he can’t be compared to his father.

wide shot of julian's photo exhibit

wide shot of julian’s photo exhibit

Julian’s charity of choice is The White Feather Foundation, one he came up with that embraces environmental and humanitarian issues throughout the world, with an heavy emphasis on water conservation and purification, particularly in the poorer sections of the world.

his book of Memorabilia photos

his book of Memorabilia photos

 

Julian also sings on a track from the new Aerosmith CD “Music From Another Dimension”.  When Joe mentioned they were playing locally Sunday night, the night Julian’s exhibit closes, there were raised eyebrows, thinking the “Son” might like to shine at a guest appearance at the show.  Sadly, though, Sunday also marks the 32nd anniversary of the day John Lennon was taken from us, so his showing is highly unlikely, understandably so.

Aerosmith's new CD

 

Read more about Julian’s causes, his photography, his music and his long time friend Lucy, who passed away in 2009 from Lupus, a charity that Julian also embraces.  Go to www.julianlennon.com and listen to Joe Johnson’s Beatle Brunch for excerpts from Joe’s interview with Julian.  You’ll also be able to find the entire interview in the Beatle Brunch Club downloads section and a video in the After Brunch section of www.beatlebrunchclub.com.  Members can hear each week’s show on demand and “Old Brown Shows”, Beatle Brunch Classics.

See Julian’s photographs at Overture Contemporary Art Fair in the Wynwood section of Miami, 3400 Buena Vista Drive. http://www.overtureartfair.com

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